Abstract No. 2

Dan Bina relies on perception as a root in all of his work. Observing the world as part of experience is a fundamental aspect of his practice in making art and in broader terms adds value to his personal existence. Bina’s early training as a painter was based in establishing the visual world on the two-dimensional plane. Much of his work spills outside of this tradition into realms of humor and riffing on internet tropes mashing up the value systems of culture, finance, and desire.